Gerd Hatje 1:10, 1998 3D body scan of the living person Kunsthalle Göppingen, Göppingen 1999 FDM (fused deposition modeling), ABS (acrylonitrile-butadiene-styrene), airbrush Scale 1:10; height: ca. 18 cm Collection of Landesbank Baden-Württemberg, Stuttgart Photo © Studio Karin Sander, 1998
Personen 1:10 (Persons 1:10), 1997–1999 3D body scans of the living persons, FDM (fused deposition modeling), ABS (acrylonitrile-butadiene-styrene), airbrush Scale 1:10; height: ca. 16–18 cm each Photo © Studio Karin Sander, 1997
Peter Friese takes a photo of Peter Friese 1:10, 1999 3D body scan of the living person, FDM (fused deposition modeling), ABS (acrylonitrile-butadiene-styrene), airbrush // Scale 1:10; height: ca. 18 cm Privat collection, Seattle, USA Photo © Karin Sander
Bernhard J. Deubig 1:10, 1999 3D body scan of the living person, Kunstmuseum St. Gallen, St. Gallen, CH, 2004 FDM (fused deposition modeling), ABS (acrylonitrile-butadiene-styrene), airbrush Scale 1:10; height: ca. 18 cm Collection of Kunstmuseum St. Gallen, CH Photo © Stefan Rohner
Karin Sander 1:5, 2008 3D body scan of the living person Alexandria National Museum, Fikrun wa Fann Gallery polychrome 3D printing, black and white, plaster material Scale 1:5, height: ca. 32 cm Private collection Photo © Studio Karin Sander, 2008
Reeve 1:5, 2012 3D color scan of the living person, polychrome 3D printing, plaster material, color pigment ink Scale 1:5, height: ca. 27 cm Privat collection, USA Photo © Andreas Meichsner, 2013
Karl Lagerfeld 1:10, 2003 3D Bodyscan of the living person FDM (Fused Deposition Modeling), ABS (Acryl-Butadien-Styrol), Airbrush Scale 1:10 18 cm, height: ca. 18 cm Collection of Kunstmuseum St. Gallen Photo © Martin Steiner, 2008
3D Body Scans 1997-
People are laser-scanned using a body scanner that employs a 3D photographic process originally developed for the fashion industry. Their data is then sent to an extruder, which recreates their body shape slice-by-slice in plastic. It is a lengthy process, but it results in an exact reproduction of the person in question - a three-dimensional self-portrait in a pose chosen by the subject. The figure is produced entirely by mechanical means, and the replica stands in the middle of the exhibition as if transposed directly from the real world. The process was developed especially for this project, in which it is being used for the first time.
Text: © Studio Karin Sander
Presented in exhibitions The Museum of Modern Art, New York, 2011 Kunsthalle Tübingen, 2021 Kunst Museum Winterthur, 2018 LehmbruckMuseum, Duisburg, 2013 LehmbruckMuseum, Duisburg, 2013 Akademie der Künste, Berlin, 2014 The Bluecoat Gallery, Liverpool, 2012 Neues Museum Nürnberg, 2019 Fundació Joan Miró, Barcelona, 2021