Werkstattwagen Jochem Killmer (Workshop trolley Jochem Killmer), 2017
Various materials
ca. 175 x 110 x 66 cm
Photo © Martin Lauffer, 2017

Identities on Display, 2013
20 lockers with coathook, hangers and coin-operated lock, wood, glass, metal, 17 single lockers 200 x 60 x 80 cm, 1 group locker 200 x 160 x 80 cm, 2 small group locker 120 x 160 x 80 cm
Photo © Martin Lauffer, 2017

Ausstellungsraum 1.7, 1:2 (Exhibition Space 1.7, 1:2), 2017
Carpet, 100 % wool
2 x 525 x 341 cm
Photo © Martin Lauffer, 2017

Haarzeichnungen (Hair Drawings), 1998
New York / Reutlingen / Ísafjörður
560 hairs from approx. 60 people, each pulled out and dropped onto and fixed on a sheet of paper
560 sheets, each 27,9 x 21,6 cm, framed each 45,3 x 38,7 x 2 cm
Photo © Martin Lauffer, 2017

Werkstattwagen Jochem Killmer (Workshop trolley Jochem Killmer), 2017
Various materials
ca. 175 x 110 x 66 cm
Photo © Martin Lauffer, 2017

Identities on Display, 2013
20 lockers with coathook, hangers and coin-operated lock, wood, glass, metal, 17 single lockers 200 x 60 x 80 cm, 1 group locker 200 x 160 x 80 cm, 2 small group locker 120 x 160 x 80 cm
Photo © Martin Lauffer, 2017

Ausstellungsraum 1.7, 1:2 (Exhibition Space 1.7, 1:2), 2017
Carpet, 100 % wool
2 x 525 x 341 cm
Photo © Martin Lauffer, 2017

Haarzeichnungen (Hair Drawings), 1998
New York / Reutlingen / Ísafjörður
560 hairs from approx. 60 people, each pulled out and dropped onto and fixed on a sheet of paper
560 sheets, each 27,9 x 21,6 cm, framed each 45,3 x 38,7 x 2 cm
Photo © Martin Lauffer, 2017

Identities on Display, Kunstmuseum Villa Zanders, Bergisch Gladbach

10.03.2017 – 10.06.2017
Solo Exhibition

Kunstmuseum Villa Zanders, Bergisch Gladbach
Bergisch Gladbach, Germany

For the 25th anniversary of the Kunstmuseum Villa Zanders, the artist, who was born not far from the museum in Bensberg, is showing an extensive complex of her hair drawings (1998), the expansive installation Identities on Display (2013), and a floor work developed especially for the exhibition that reflects the museum's floor plan in the form of a carpet, Ausstellungsraum 1:2 (2017).

Karin Sander's hair drawings, arranged serially throughout the rooms, are equally characterized by minimal use of materials as well as overwhelming expansive fullness. The exhibited hairs, each torn out, dropped onto a sheet of paper and fixed, form fine lines, as individual as the persons belonging to them. The hair, information carrier of personal data, is pars pro toto, a part that characteristically represents its owner and which, individually framed, can certainly be seen as a portrait.

The work Identities on Display also draws the eye to the portrait. The display cases hold visitors' wardrobes and present them in a museum context for the duration of their stay. Individual visitors, with their individual objects and clothing, thus become part of a constantly changing exhibition.

In this way, Karin Sander's exhibition uses a wide variety of groups of works to take up the existing collection at the Villa Zanders Art Museum, which represents part of the identity and history of the museum.

Represented works

Hair Drawings
Identities on Display